Sweet coupled airs we sing.
No lonely seafarer
Holds clear of entering
Our green mirror.
-The Odyssey
Inspired by an episode of Oprah today featuring Raquel Welch, known perhaps more famously for her sexpot status a la One Million Years B.C. than her contributions to film (unless you count wearing animal skin loin cloths as 'contributions'), I visited some of the prevailing women of the last century who defined SEX ICON and changed not only film and women's place in it, but much of our conversations and discussions on male/female relations. Strangely intrigued by these siren songs of beauty and carnal objects of lust and desire for men (and women, I need mention), I think that there has always been something beguiling and mysterious about the heavy-lidded, tease-tressed sexpots, what with their lips ever so slightly parted and their dreamy bedroom eyes begging silent invitation. With much of their appeal centered squarely on their sulking beauty and glowing sensuality, the women featured below are a few amongst the pantheon of World War II pinups and tribute magazine spreads legions of men and women have come to iconify.
And while their beauty is intoxicating, dreamy even, what with their coy smiles and generous figures beckoning the eye their direction, there is something so tragically marred about these archetypal 'femme fatales', who seemed to carry with them an elixir containing both a bounty of power and impending calamity. Take it back to Homer's Odyssey, set in 12th century BC, where the Sirens sing a song so irresistible, Circe warns Odysseus to plug the sailor's ears with beeswax and have them tied to the mast if they wish to go onward with their treacherous journey. This idea of temptation as a deadly threat is no novel idea, harkening back to Biblical times with the first original ancestors of sexual deadlock , Sir Adam and Madame Eve. Postmodern cinema and Hitchcock films of noir showcase these cutting figures of device and trickery as the lady in wait casts a sort of magical spell over the trembling men who are so lost in desire, they see only crimson.